REMEMBERING 9/11
DETAILS
My home is New York City and the World Trade Center is a
place I loved. Epic,
even overpowering in its scale, I always felt free and
happy there; I cant
explain why. The life and death of the place and its
people coexist now in
the very center of my relationship to my home. This difficult
paradox is,
somehow, a feeling I can illustrate through small details,
observations from
my March visit:
The E line of the New York City subway has its last
stop- (or first, if you
will)- at the World Trade Center. The white tiled walls of
the station had
been replaced a few years ago and the old mosaic designs that
had been there
were taken out. They were replaced by exquisitely rendered
new mosaics of
human eyes. Each eye, about the size of my hand, sits in the
wall at about 7
feet above the floor, at intervals of about ten feet. Mostly
they are placed
singly; in a couple of spots there are two together. They
are reminiscent of
Etruscan art: wide and gentle, they look softly at you as
you exit the train
and walk down the platform. They are watchful, but sympathetic
in their gaze.
This sympathy is helpful, because at the end of their platform
are shuttered
steel gates that seal the station off from what everyone has
come to call
ground zero. The contrast between these two realities-one
lyrical, one
horrible, and hard by one another- continue to resonate for
me.
The contrasting realities are just beginning. Exiting the
subway at the
Fulton Street stairway I am bathed in a warm flood of sunlight
that I know
should not be there. Turn and look across Church Street to
a gaping emptiness
of seven square blocks. Look for Borders bookstore,
the people dashing
through the enormous plaza, the commuters coming up from the
PATH station,
the folks who just got coffee to take back to the office.
They are gone. A
vast square of sky hangs above me. Try not to cry. Fail at
this.
In the Spring, tourists filled the nearby streets. A look
into their faces
makes this an intimate experience again; we have this grief
in common, all of
us. Look up, and notice shreds of paper, audio tape, and crime
scene tape
still snagged in the trees nearby. But walk to the Hudson,
into Battery Park
City, and in this serene neighborhood the street life is as
it always was.
Parents out with kids, dog walkers on the job, rollerbladers
rolling. The
Chinese restaurant is there, and the news stand, but round
the corner to the
service entrance of the high-rise apartment building and notice
the piles of
ruined carpet put out with the rest of the trash. In the window
of a candy
store up on Vesey Street, a sheet of paper with the words,
neatly printed
using a computer, WE ARE ALL SAFE.
Never have I been more proud to say Im a New Yorker.
A year later, I still
dwell deep within this experience. My memories, vivid and
detailed, challenge
me daily to do honor to all who have been lost, and to remain
aware of the
large, important and unknowable things that may yet be asked
of me- and of
all of us.
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